What We Do

We offer expertise in early production development and funding proposals by:
  • reviewing stakeholder requirements
  • discussing planned creative for story, style, tone and look, and any impact these have on the post production workflow
  • discussing anticipated logistics, for example:
        location constraints
        planned visual effects
        shoot schedules
  • gathering comparative quotes

From this gathered information we:
  • forecast post production budgets
  • create early post production schedule options

In early pre production we:
  • review technical specification documents and finalise delivery requirements
  • confirm post production quotes and suppliers
  • set up and validate workflows for:
        dailies processing
        editorial and sound pathways
        dailies and cuts review procedures and platforms
        footage security and back up
  • liaise with Heads of Department to facilitate a project look, including:
        camera tests and LUT creation
        makeup and wardrobe tests
  • publish post production schedules to production, editorial, vision and sound post facilities, composers, VFX vendors and all relevant
    stakeholders
  • publish checklists and templates for editorial and production

We maintain close contact throughout production by:
  • attending all production meetings.
  • collaborating with art department and sound to review:
       on-set video and audio playback
       best approach for VFX including plates, screens, green screen
  • managing rushes distribution and access during shoot
  • being a daily support for the editorial team, including liaising with production and post facilities on turnovers, tests and general
    trouble-shooting
  • managing and reporting to Producers and Production Accountants on post production budgets and purchase orders
  • creating, revising and publishing the post production schedule, including daily and weekly updates for Key Creatives and Producers
    as required

Once an edit is locked, we:
  • prepare and circulate credits for approval
  • oversee turnover of locked cuts and assets to vision, sound, music and VFX suppliers
  • collate all To Be Written lines for ADR
  • supervise all ADR bookings, including scheduling domestic and international cast and facilities
  • manage VFX pipelines for review and delivery
  • manage music review and delivery with composers and music supervisors
  • facilitate and supervise all bookings across colour grade, sound mix, pre-master and final mastering

By using a methodical approach during production, we ensure a streamlined delivery of projects by:
  • supervising delivery of all vision and audio master elements to stakeholders
  • preparing delivery documentation
  • obtaining confirmation of delivery receipt and acceptance of materials.