What We Do
To learn more about what we do, click on our areas of expertise below.
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We offer expertise in early production development and funding proposals by:
• reviewing stakeholder requirements
• discussing planned creative for story, style, tone and look, and any impact these have on the post production workflow
• discussing anticipated logistics, for example:
location constraints
planned visual effects
shoot schedules
• gathering comparative quotes
From this gathered information we:
• forecast post production budgets
• create early post production schedule options
In early pre production we:
• review technical specification documents and finalise delivery requirements
• confirm post production quotes and suppliers
• set up and validate workflows for:
dailies processing
editorial and sound pathways
dailies and cuts review procedures and platforms
footage security and back up
• liaise with Heads of Department to facilitate a project look, including:
camera tests and LUT creation
makeup and wardrobe tests
• publish post production schedules to production, editorial, vision and sound post facilities, composers, VFX vendors and all relevant
stakeholders
• publish checklists and templates for editorial and production
We maintain close contact throughout production by:
• attending all production meetings.
• collaborating with art department and sound to review:
on-set video and audio playback
best approach for VFX including plates, screens, green screen
• managing rushes distribution and access during shoot
• being a daily support for the editorial team, including liaising with production and post facilities on turnovers, tests and general
trouble-shooting
• managing and reporting to Producers and Production Accountants on post production budgets and purchase orders
• creating, revising and publishing the post production schedule, including daily and weekly updates for Key Creatives and Producers
as required
Once an edit is locked, we:
• prepare and circulate credits for approval
• oversee turnover of locked cuts and assets to vision, sound, music and VFX suppliers
• collate all To Be Written lines for ADR
• supervise all ADR bookings, including scheduling domestic and international cast and facilities
• manage VFX pipelines for review and delivery
• manage music review and delivery with composers and music supervisors
• facilitate and supervise all bookings across colour grade, sound mix, pre-master and final mastering
By using a methodical approach during production, we ensure a streamlined delivery of projects by:
• supervising delivery of all vision and audio master elements to stakeholders
• preparing delivery documentation
• obtaining confirmation of delivery receipt and acceptance of materials.